Kinglet

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summer reading program

The Kinglet, summer 2011

The following essay popped up in my Facebook feed this morning.  I originally wrote it in 2013 after we had to pull my son out of a creative arts summer camp.  He was easily frustrated, cried a lot, had to take lots of cool-down breaks — all things that are normal for a child with autism (which we didn’t know he had, at the time) and an emotional disorder.  I’d put two weeks of my summer aside so I could be there as his coach, but it still didn’t work out. The art teacher treated him (and me) like he had a contagious disease, and the administration (my employer, and friend, at the time) threw up her hands, because what can you do, you know? We have to think of the other children.

I cringed when I saw it again this morning — not because of what I said in it, but because this is a problem – a prejudice – that we’ve been battling all his life. In 2011 it was summer camp at the local Lutheran church — nice people, not equipped to handle him.  In 2012 it was the sports camp sponsored by the City of Newark.  Before his diagnosis, it was the school system that dumped him in an “intervention” room (closet) for most of the school day, or suspended him.  Last year it was the new gifted teacher that didn’t want him in her class, even though his test scores are through the roof and rote remedial learning bores him (literally) to tears.  Why should the other gifted children have to listen to my son cry, right, or witness him being removed by a para, or do their work like good boys and girls while my son audits the class because he’s too stressed that day? That’s not fair, is it? We have to think of the other children.

But you know what? No.  No, your child doesn’t need to be sheltered from my child.

My Child’s Meltdown Belongs in Your Classroom

(Summer 2013)  I’m trying to be professional and understanding about things that have happened this week, but as a parent, my heart is a little broken.

When asked to consider the place of children with emotional and behavioral disorders in an educational setting, the first concern of most people seems to be for the benefit of the other children, and the teachers, and the harmony of the group. Which makes sense, right? When you first think about it.

But I ask you to consider this. A generation ago, even less, these same arguments, based on misunderstanding at best, prejudice at worst, kept children with developmental delays and other handicaps from attending school. It was only with activism on the part of parents and child advocates that this attitude was challenged, and changed, resulting in laws that protect the right of ALL children to an inclusive education, in the least restrictive setting, with all possible and reasonable accommodation.

These days, we don’t much dispute the right of a child with physical challenges to take part in the same activities as healthy children. When it comes to children with emotional and behavioral disorders, however, there is still a pervasive prejudice. There is a perception that such children are bad, that their behavior is willful – they are punished, rather than worked with, and they are marginalized.

The truth is, such a child has as much control over his condition as a child with epilepsy, or with Tourettes, or with Autism, or Cerebral Palsy, or with any other host of impairments can control theirs. That is to say, given an opportunity, and a conducive environment, and appropriate supports, they can succeed as well as any child.

The questions I am asked, as a parent of a child with an emotional and behavioral disorder… Why should other children have to suffer when such a child acts out in the classroom?

– Because these people exist together in the world.
– Because discomfort over differences is healed by familiarity, compassion, and understanding.
– Because segregating “normal” children from “abnormal” children when it is not strictly necessary will not prepare either one for living in an inclusive world. It can only further misconceptions and prejudice. It can only distance the special needs child from a sense of belonging and success.

Why should teachers have to interrupt their class to deal with a child who acts out in the classroom?

– Because every child is different. Some have learning disabilities and need help understanding their assignments. Some children have physical challenges and need help maneuvering their world. Some children have language barriers, cultural barriers, problems at home, problems of self-esteem, problems keeping their breakfast down, problems sitting still, problems paying attention, problems with you.
-If you are a teacher, presumably you are so for a reason. Please don’t shy away from something because you don’t understand it.

With the rate at which children in our society are being diagnosed with behavioral and psychiatric disorders, and in the wake of national tragedies that have dragged the state of mental health care into the limelight, I believe this is something that needs to be said. This is a conversation we need to be having. This is a situation that needs to be challenged.

At the very least, it’s something I need to get off my chest.

I almost didn’t make it. The GodKing hurt his back last week, the Kinglet is having a rough month at school, and, at four months, I’m still nursing my baby girl. To ditch them all for a sequestered, catered four-day weekend felt terribly self-indulgent. So when a transportation issue came up and I couldn’t find a ride down, I was like, well, I guess I just won’t go.

besides, how could I leave THIS?

besides, how could I leave THIS?

But my husband was having none of it. He was preparing to take off from work and drive me to Lewes himself when, thankfully, my poet friend Phillip Bannowsky welcomed me to ride with him.

Even still, it was touch-and-go that whole first morning. At breakfast I got an email from the Kinglet’s teachers explaining how he was getting kicked out of enrichment class rather than implementing his IEP; in full-on Mother Dragon mode, I’d responded with one of my signature Strongly Worded Letters while simultaneously cramming a bagel into my face-hole. Then I thought I’d lost my purse – spent an hour or so driving around looking for it when I’d meant to be packing and getting ready. (Never did get around to shaving my legs). Found the purse and managed to stuff my stuff into my bags and lug them to the porch by 11, still basically hyperventilating and wondering if I’d be able to relax at all.

I can’t say that I ever truly did – the combination of mommy hormones, social anxiety and over- caffeination had me feeling rather bipolar that entire weekend – but that wasn’t really a bad thing. I experienced some crystal highs on this retreat: getting to know colleagues a little better, starting new friendships, sharing in society with other poets and writers – “the tribe”, as JoAnn called it. People who speak my language, who love words and wordcraft. People who get it.

And I wrote. Not prolifically, but some, which is more than I’ve done in longer than I can say. Though I’ve been very productive in the last year with getting things published, I’ve produced very little new work, for one reason or another. The one thing I’d hoped to accomplish on this retreat, above all else, was to start the momentum again – and that, so far at least, I definitely have done.

Some thoughts and tidbits:

– During introductions on the first night, I mentioned that I’d just had a baby and that I was away from her for the first time. Thus I became known as the one with the baby for the remainder of the weekend. People kept coming up and asking, “So how you doing? Holding up okay? Sleep okay? Did you call home yet? How’s the little one?”

I laugh, but I really did appreciate it. It helped break the ice with people I didn’t know, and kept me “checked in” with those I do, who knew what a Big Deal it was for me to be there, away from my kids.

To answer the questions: I held up okay. It wasn’t as hard as I feared it would be, but it was definitely surreal. I kept thinking, Isn’t there someone I’m supposed to be taking care of? And for the first time in years and years and years, the answer was NO. I was responsible only for ME, having thoughts that were 100% my own. I felt younger, if that makes sense. Like twenty-something me was waking up from a very long sleep – which might also explain the bipolar feeling. But that’s okay! Crazy makes for better poetry.

– TheVirden Center isn’t the Ritz, but it’s perfectly sufficient to a writer’s needs. The personal screened porches were great (mine came with a pet preying mantis, for that extra little poetic symbolism), small but cozy, and Godz, if we didn’t have great weather for it.  Sunny, breezy, cool at times but not cold, and blue skies!

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Works for me!

My only beef about the accommodations were that 1) the nightstand was across the room from the bed rather than next to it, so I had to keep my night stuff (eyeglasses, saline, cup of water) perched precariously on a desk chair, and 2) the handle to my toilet stuck. You had to jimmy it or else it would keep running, which I kept forgetting, so I’d be staring into space trying to write a poem and then realize I was still hearing that damn toilet’s heavy, watery exhaling (inhaling? hmm.)

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shall i compare thee to a toilet’s whooooooooosh…

 

Oh and, 2b) I finally got in the habit of jiggling the handle by the last day, but now I’m trained to it, so every time I flush at home and hear the tank filling up I have the urge to go back and fondle the toilet. Thanks, Virden Center.

– The thing that most surprised me about the retreat is how little time I actually had to write. Part of that was unique to me – I spent an average of two hours a day pumping and storing breast milk, and, really, everything I did had to be scheduled around how long I’d have until I had to quick back to my room to pump again (oh, and did I mention, I got a nasty carpal tunnel flareup from what I thought at first was due to scribbling poems longhand (for want of a printer) but realized later, face-palm, was due to two hours a day minimum of squeezing a breast pump… TMI?) – but between that and workshops and needing to be in the dining room for meals at a specific time, I felt like writing was something that happened in the margins. You pretty much had to skip meals, sleep, or socializing to get any real work done. Being a nursing mom and always always hungry and always always tired, I went with option three, eschewing company except during meals and group.

– Not that anyone was knocking down my door; I felt a little lost at times.

– BUT ON THE OTHER HAND. I relished how open and friendly everyone was. Whenever I stepped into the dining room, there was a moment of “hmmm” – that flashback to grade school or camp or whatever, when all the cool kids bunch together and you wonder if and where there will be a space for you. I can’t be the only one who went through that. – But it wasn’t like that. By any stretch of the imagination.

I made a point of sitting at a different table every time, with different folk, trying to get to know new people, seeing the place from new angles – and for the most part it seemed like everyone else was doing the same. I thought a lot about how small the Delaware writing community is – even people I didn’t know, coming down, I realized I have seen before, or am only removed from by one or two Kevin Bacons. I like that kind of intimacy. It feels good to be a part of it.

– About food: I heard some mumbles about the buffet. This being my first retreat, I have no basis for comparison, but I was impressed with the grub. It was diverse, always something new, with options for veggies and carnivores alike. I thought it was pretty stellar, actually – but, then again, all of my food was cooked for me personally due to my dietary restrictions. Maybe I got extra special treatment, in which case, lalala for me! I loved having grownup food (artichoke hearts! sundried tomatoes) that met my needs that I didn’t have to cook myself. I was bowled over by how accommodating the chef and the staff were – the servers even knew to bring me the honey bear for my coffee by the second night (which I use because I can’t have cream). I felt truly pampered, and I wish I could bring them all back with me to My Real Life.

– Ah, pie in the sky dream.

So those are my impressions. It was an expensive trip, in more than just the cost of registering, but totally, I think, worth it. Coming back to reality this week, I felt refreshed and rejuvenated in a non-cliché way, a way that goes beyond “post-vacation bliss”. I feel as if I finally got a handle on where I am in my craft, in my career. I produced some work that I am proud of – more importantly, I am sharp with intention, the impetus to create more. Plus, I met a host of great people, colleagues, and gained a broader sense of community.

Oh, and gratitude. Thank you, Universe, and you, Delaware Division of the Arts, for sponsoring and, you, Oh Unknown and Unbiased judges, for selecting me as a participant. I am so honored and glad to have been counted among so many hugely talented writers.

It was, in short, really swell.

 

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In which the poet is accomplishing muchly.

I’m meant to be working on my novel today.  I’m all set up in my comfy chair with my laptop and my coffee, but instead I’m turning to you, blogosphere.  Because that’s almost as productive….

writers block

It’s been ten months since I did anything with COVENANT.  Last spring I revamped the outline and rewrote the first few chapters.  I was really happy with the way they turned out – I even included an excerpt in my application for a major award and went on to earn an Honorable Mention over dozens of applicants.

But then I put it aside.

It was supposed to be just a summer break sabbatical.  My son, the Kinglet, would be underfoot all the time – there would be swimming lessons and summer camp and far too much noise under one roof for me to get anything done.  I intended to start back up in September, but then it turned into a So-it-turns-out-the-Kinglet-has-Autism-but-the-School-wants-to-Fight-Against-Services-Oh-By-the-Way-I’m-pregnant-Hello-Morning-Sickness-Happy-Holidays-More-Morning-Sickness-Get-the-Nursery-Ready-Why-Am-I-Still-Throwing-Up-Oh-Look-It’s-Spring sabbatical.

Don’t you hate it when that happens?

Now my novel is like a friendship left too-long untended… you think about it, you say to each other “we really should get together soon”, but so much time has passed since anyone made an effort that you’ve crossed into awkwardness and no one really knows what to do about that. I miss it – I know I need to do something, especially now, before the baby comes and steals my sleep and every ounce of creative energy, but gah, where to start? Do I even know this novel anymore?

awkward

I guess the only thing TO do is just dive back in, no matter how awkward it feels… just open up the file, find the place where we left off and … start writing.  If it’s anything like real-people friendships, pretty soon we’ll be sharing mental martinis and tripping over things to say to each other.

drinks

It’ll be like no time has passed at all. Right?

Right?

I have discovered that writing short stories is dangerous to my mental health.

I strive for balance. I’ve said this before – my dearest wish is to portion out my have-to’s (housekeeping, exercise, balancing the checkbook, doctor’s appointments, childcare), want-to’s (gardening, meditating, learning), and MUSTS (writing… also, writing) in some kind of predictable routine. I want to feel peaceful, accomplished, and satisfied in life

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rather than constantly fighting to catch up with one thing or the other.

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As it turns out, though, my muse is a bipolar bitch who refuses to be yoked.

After months of crippling writer’s block, largely due to frustration with my current novel, I started work in February on several short stories I had promised to anthologies. Moving them out of my mental queue would be helpful – obligations to other people always loom large in my mind. I feel guilty, and distracted from anything else I mean to do.

Plus, I figured that short story work would help me transition back into writing the novel – being shorter projects, self-contained and conscripted to a certain theme. Like running sprints to get ready for a marathon.

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And I was right – come April, I’ve gotten back in the habit of writing, got the juices flowing, won my confidence back. And I think I’m ready to start the long journey once again, for all those reasons…

but also because, damn. Writing short stories is apt to kill me.

It’s like this: when I start a project, I start out slow. I like the 250-words a day challenge – a promise I can keep on any given day, doable even over morning coffee while the Kinglet eats his waffles and watches Spongebob before school. If I don’t know where I’m going yet, or need to think about a scene, I can write enough to still see the story grow, even if I don’t come back to it for the rest of the day.

Eventually, the daily wordcount gets higher. I get to know the characters, get invested in what’s happening. The project blossoms from something to play with into something I need and want to do. Then – voila – I’m writing a story.

With novel writing, this process works great for me. I can build a routine around it, writing something almost every day, feeling good that I’m chugging along, every day another step in that journey of a thousand miles…

The trouble with shorts, though, is that it only takes a few days of writing before you can start to see the end. For me, that’s where the crazy kicks in.

I think, oh, look. I’m almost there. If I push it, I can make it… just a little farther. Come on now, girl, work it. Dinner? What? No. Mommy’s working. Let me just kill of this character, finish this scene, search and replace all those -ly words, wait. This passage isn’t working, I just need to DAMN IT LEAVE ME ALONE.

*TWITCH*

No more writer’s block – now I’ve entered into a compulsive, manic creative state. When finally (HUZZAH!) the draft is finished, I look up to realize it’s eleven PM, my child has been sent to bed without a hug, my husband has slunk off to amuse himself with Netflix, my back hurts from sitting so long, and (lately) I’ve chain-smoked my way through an entire pack of Djarum specials. *cough*

BUT THE DRAFT IS DONE. Now what do I work on next? Hmmm. What about that other story…

I’ve completed three shorts since February, two for the anthologies and one I hope to start shopping soon. But I think now, for the sake of my family and my sanity, I need to chill.

Novel writing is hard – damn hard – but at least the end-game madness is a long time in coming.